Hi all, So apparently DNxHR has been out a while even though I am still fairly new to DNxHD. I run on a Windows machine, and especially with Quicktime/ProRes no longer being supported on Windows, it seems like DNxHD is our best option short of RAW, to edit video in.

Adobe Premiere Pro made waves when it started supporting native editing of compressed and raw file formats. It's usually the best decision to edit natively. However, there are still advantages of transcoding or changing the format of the video to facilitate the editing process.

RED Digital Cinema - Sample R3D Files

Taking Advantage of New Proxy Workflows in Premiere Pro CC ... Transcode – You can transcode the media to a new format in a new location. For example, this can be used to transcode original camera footage to a specific format used within a post-production facility. The file path is specified by the Primary Destination option in Settings, and the format is specified by the chosen preset. After the media ... Best Way to Import H.265 to Davinci Resolve for Editing ... If you've got some 4K H.265 files like from Samsung NX1, DJI Phantom 4 Pro, Inspire 2 or other sources, how to make a smooth post-production? It is obvious that import H.265 to DaVinci Resolve may ... RAW Workflow - Videomaker

Transcoding Red weapon 8k raw files to pro res, best ... Transcoding Red weapon 8k raw files to pro res, best settings for edit workflow? jpdirector. ... and so I have planned all along to have to transcode the footage to Apple Pro res (422?)... Because both the iMac Pro and Red 8k tools are relatively new and it doesn't seem many people have used them together yet, I can't find a lot of tutorials or ... RAW Workflow - Videomaker Compressed footage is captured the same way as uncompressed footage, but compression like H.264 or MPEG-2 is added to reduce the file size. Depending on the amount of compression used, image quality loss can range from slight to very severe. Complete Guide to RED Workflows: Premiere, FCP X and Resolve Another feature built into Premiere for RED footage is the ability to adjust playback quality, from full resolution, all the way down to 1/16 resolution. You can adjust this quality independently in both the source and program monitors.

Let me make an example of everyone's favorite ugly duckling (now turned beautiful swan by the glory of metadata based workflows): the R3D file. Many editors I speak to are convinced that FCP is the best way to edit RED footage. A little while into each such conversation, I find it is the only way they know of. The solution in their minds is the How-To: Transcode & stream videos on Xbox 360 07.11.2006 · Last week's Xbox 360 Fall Dashboard update added support for the Windows Media Video (WMV) video codec. The feature was a welcomed gain for non-Media Center users who have been limited to photo Comprehensive understanding RED's color … Ok so for a long time I struggled to understand the best way to use the Red's color workflow. I think I finally get it it but I wanted to post my understanding of it and see if anybody had anything to add to it or if they have a different understanding of it.

Another feature built into Premiere for RED footage is the ability to adjust playback quality, from full resolution, all the way down to 1/16 resolution. You can adjust this quality independently in both the source and program monitors.

Complete Guide to RED Workflows: Premiere, FCP X and Resolve Another feature built into Premiere for RED footage is the ability to adjust playback quality, from full resolution, all the way down to 1/16 resolution. You can adjust this quality independently in both the source and program monitors. How To Downscale 4K to 1080p in Adobe Premiere - YouTube In this tutorial I show you how to quickly downscale / resize your footage in Adobe Premiere Pro CC. In this video I downscale a 4K video to 1080p in a matter of seconds. This same method can be ... Ingest and Proxy Workflow in Adobe Premiere Pro